Ceiling, walls, chimney and floor are all painted! Now the fun begins - decorating!
The first thing I wanted to do was hide my washer and dryer. They had to stay in the room because there was no place else for them to go. So, I was able to cover them with a bamboo screen. Out of sight, out of mind!
I ordered a new art table. It has drawers, a place for brushes, a sliding side surface... it is the bomb! The only drawback was that it came unassembled. Fortunately, my husband, once again, helped me out!
I love my studio! It is such a great space! I've even started teaching art classes in it. I will add more little by little as I go along, but what a great way to start out the year! It's a dream come true!
I finally bit the bullet. I finally decided to turn my junk room into an art studio. I figured if not now, when?
When I say junk room, I mean junk room. However, it's a room with potential. It's a fairly good size and it has windows on three sides, which means light, and light is gold to an artist. The first thing to do was to clean it out. That took a full day.
My husband generously offered to paint the ceiling while I chose the paint and primer to cover the walls. Then, I spent a day cutting the paint into the walls and ceiling. Coming soon - Building An Art Studio Part 2 - the next stage in renovation!
There are places on this planet where the air between heaven and earth is very thin. I experienced it once at a church garden in Ireland. The second time was at Mount Savior Monastery in Elmira, NY. It's as though molecules of light have cleared out those of heaviness in the very atmosphere. You can feel it. I know I felt it when I traveled to Mount Savior at the end of March this past year. Winter had not released its grip and it was still bitterly cold. I was looking for some time alone where I could just "be."
There are two small cottages at the monastery which are rented to visitors looking for personal retreats. The monks, known as brothers, call them casa1 and casa2.I stayed in casa1. The cottage had everything a person would need - a kitchenette, bathroom, bedroom with single beds, and a small living room with a fireplace. There was an old radio with two channels, but no tv or any other form of entertainment. The bathroom towels had been washed so many times they were paper thin and scratchy. That was ok, though. John the Baptist dressed in camel hair and I bet that was scratchy too.
There is a big wooden barn on the premises, located in the sheep pasture. It's like any other barn except that it has a white cross on it. Nothing fancy. Just an acknowledgement of a man who was born in a barn and died on a cross. There is a hill you have to go over just before you arrive at Mount Savior. As I crested that hill, the first thing visible was the barn.
Even though it was freezing, I took time to walk around the grounds. There wasn't much too see in the dead of winter. But I had nothing I had to do and nowhere I had to be.
I continued exploring and almost missed a significant piece of art hidden in an unlikely place. I saw something attached to a cement shed of sorts. I couldn't make out what it was so I walked closer. It was simple wire and wood screwed into a concrete wall. No elaborate religion here. It was stark. A man on a cross. Obscure. Naked to the elements - wind, rain, snow. Wire wound to form a figure. The position was telling. Head down, knees bent. Gravity pulling, suffering bowing, weakness bending. Meaning stripped down.
The morning I left Mount Savior, I did a small ink drawing on watercolor paper. The subject was a scraggly pine tree behind a rock wall outside my casa. The drawing was simple. I left it on the table underneath the house key, and closed the door.
Who could guess that hidden within the dry, barren terrain of the Navajo Reservation in Arizona, there are slot canyons of incredible beauty! One such canyon is known as Antelope Canyon, near the town of Page.
The Navajo name for Antelope Canyon is 'Tse bighanilini,' which means "the place where water runs through the rock." The canyon was formed by erosion of sandstone, mostly due to flash flooding.
Antelope Canyon bears the mark of rushing waters and the rock presents its own distinct liquid flow, similar to blown glass.
You can't visit the canyon at will. It is owned by the Navajo people, and you must sign up for a tour with a Navajo guide who drives you down a red, rocky trail to the mouth of the canyon. From the outside it looks much like any other rock formation except that there is an opening like a narrow, curved slit in the cliff. Entering that slit is where the magic begins!
There's something about Antelope Canyon, it's hidden treasure, that haunts me. I left the canyon, but it didn't leave me. I'm struck by the beauty that is worked by God in secret. How long did that slot canyon lay "hidden in a field" before it was discovered?
I appreciate a God of mysteries and of hidden treasures. I don't want a God who is easily defined and managed. I want One who both hides and reveals Himself at His own choosing. The kind who hides from the all-knowing and self important and reveals Himself to babes. I look to the Holy writings to voice something that I am only grasping at intuitively.
"... the mystery of God... in Whom are hid all the treasures of wisdom and knowledge.."
"... and in the hidden part, you shall make me to know wisdom.."
"For you are dead, and your life is hid with Christ in God..."
"But we have this treasure in earthen vessels..."
But we have this treasure in earthen vessels... like Antelope Canyon hidden in barren, rocky desert.
This is a painting I started of Taughannock Falls in Trumansburg, NY. The following is a progression of the different stages of the painting. It is done in oils on a 24"x36" canvas. First, I decided to do my under layer in reds, oranges and yellows. I did this to set my tones and values and to establish a vibrancy that would come through in the finished work. It was also helpful in blocking in the different aspects of the scene like the rocks, trees, etc. The colors I used were vermilion, cadimun yellow, burnt sienna, and yellow ochre.
I began blocking in the rock shapes with mixtures of dioxazine purple, ultramarine blue, cobalt blue, burnt sienna, and white. I loved the contrasting purple alongside an almost periwinkle blue, and decided to go with that color palette for the rest of the rock formation.
Here I finished the bottom of the rock formation and darkened it with burnt umber mixed with the ultramarine blue and purple.
I began the left side of the rock formation continuing with my color palette. As I finished the work for that day, the afternoon light came in through the window and fell on the painting in such a beautiful way.
I finished blocking in the left side of the rock formation. I will add more detail later on but now it is time to start on the rocks in the water.
I painted the rocks in the water with yellow ochre and white for the tops and different shades of purple for the sides and the bottoms. The rocks are lighter on top where the light hits them. I also painted the sky with a mix of mostly cerulean blue, along with a little cobalt blue and white.
Now it is time to paint the water. I used cobalt blue with a little ultramarine blue mixed with white. I thinned this paint somewhat and the yellow ochre underneath helps to give it a blue/gray hue. I also lay in a little purple to tie the water to the rock.
I added white to the water below to bring it to life! I used a Bob Ross 2" brush. I use the flat edge of the brush and "hit" the white onto the canvas. There are no strokes. It gives the effect of rushing, moving water. For those who are old enough to remember Bob Ross on tv (with his happy little clouds and trees), I will be eternally grateful for his happy little 2" brush!
Now I move on to the bush to the left and the trees at the top of the falls. I decided on a fall season because I didn't want to get rid of all the red in the painting. Red really makes a painting pop and I try to include it if I can. I painted some of the trees on top with a chrome yellow. For the bush to the left, I also used chrome yellow and added some sap green and terre verte.
This is a closeup of the bush. I wanted to lay in some rocks to give the bush interest, so I used purple for the bulk of the rock and then highlighted the tops with white.
I added greens to the trees above the falls and also added some leaves to branches entering the scene from the left, above the bush.
Now it is time to work on the waterfall - to fill in gaps of color with white and to create a mist at the bottom of the falls. Again, this was done with my Bob Ross brush.
I finished up the branches to the left and put in some dark tree trunks and limbs at the top.
The painting is complete! I hope you enjoyed viewing the process!
I painted with watercolors for years and was content at doing that. But then, I discovered oils and a whole new world opened up for me. Recently, I've been trying my hand at mixed media, using art tissue paper and waterproof, ultra fine point markers on canvas board. Ooh la la! My whole style has taken on a different angle and a primitive one at that. I find this media perfect for exploring African Art. African Art is full of shapes and designs. I find an earthy freedom in it. I am still new at the process and I'm learning as I go, but isn't that what makes life interesting anyway?
Sometimes I'll stumble on my own across a new and challenging art form to try. Other times, the good Lord will bring someone across my path who will open up new art methods and techniques to me. Whichever ways the opportunities come, I will take them!